pazzia
è
l'oblio di un grande dolore</i></b><span style="color: rgb(204, 0, 0);">...</span>:
ma intanto nell'<b><a href="http://www.thrivingandhome.com/memoria.htm#sintomi%20e%20%22mostri">ottuso
oblio</a></b> o dalle dissociazioni della personalità ecco
ritrovarsi
anche quel <b><a href="http://www.metmuseum.org/toah/works-of-art/18.64.43">sonno
della ragione [che] <span style="font-style: italic;">genera
mostri</span></a></b> in cui si ingranano circoli
viziosi sempre più potentemente espansi di </font><font face="Garamond"><b>DISTRUTTIVITA</b></font><font face="Garamond"><b><font size="-1">'</font></b>
allo stato puro.</font></font><br>
</div>
<font face="Garamond"><font face="Garamond"> <br>
</font></font>
<table style="width: 650px; background-color: rgb(255, 249, 230); text-align: left; margin-left: auto; margin-right: auto;" border="1">
<tbody>
<tr bgcolor="#fffdfd">
<td style="width: 650px;" width="650"><font face="Garamond"><span style="font-style: italic; font-weight: bold;">El
sueño
de la razon produce
monstruos.... </span>as written in the Cervantes' <b><i><a href="http://www.unilibro.it/find_buy/product.asp?sku=1870503&http://www.unilibro.it/find_buy/product.asp?sku=1953976&/idaff=WMUFNR878421">Don
Qijote</a></i></b> and again by Francisco de Goya y
Lucientes in his
more
famed table - <span style="font-weight: bold;">43</span>
- of the <span style="font-weight: bold; font-style: italic;">Caprichos
43 1797
(El
Prado
Madrid)</span> <br>
</font>
<div style="text-align: center;"><font face="Garamond"><span style="font-weight: bold; font-style: italic;">Sueños
y
Discursos de verdades descubridoras de
abusos,
vicios y engaños en todos los oficos y estados del mundo</span>:</font><br>
<font face="Garamond">this
quote comes from the full autographical title in this
preparatory
drawing. </font></div>
<blockquote><font face="Garamond"><i>The
bending figure is
surrounded by eight owls, numberless bats, a <b><font color="#d70023">lynx</font></b>
and a camouflaged black cat symbolizing idleness and lust. <b><font color="#d70023">Only
the lynx at the feet of the artist stand for positiveness</font></b>:
Goya
warns us to be on the look-out like the lynx, whose excellent
sight
sees through the darkness, for when asleep we cannot defend ourselves
from
vices symbolized by the surrounding animals...</i></font>
(See <span style="font-weight: bold; font-style: italic;">119
Galleria
Salamon Catalogue,
p. 43.).</span> <br>
</blockquote>
<center> Remarkable is the far-sighted animality of
the
lynx
expressed in her attentive, perplexed, preoccupied glance and
the
false intelligence that transpires from the falsely sincere
eyes
of the owls and the malignant ones of the cat, lying half-hidden behind
the sleeper.</center>
</td>
</tr>
</tbody>
</table>
<br>
Vedi in: <b><i><a href="http://mindcontrol.twoday.net/stories/299780/">Is
that feasible to manipulate human brain at distance?</a></i></b>:
<div align="justify">
<blockquote><font face="Garamond"><i>Though
in the open scientific
literature
only some 30
experiments were published, supporting this assumption (1),(2), <b>already
in 1974, in the USSR,</b> after succesfull testing with military
unit
in
Novosibirsk, the installation Radioson (Radiosleep) was registered with
the Government Committee on the Matters of Inventions and Discoveries
of
the USSR, described as a method of induction of sleep by means of radio
waves (3), (4), (5).In the scientific literature technical feasibility
of making a human being asleep by radio waves is confirmed in the book
by English scientist carrying out research on the biological effects of
electromagnetism (6). In the report by World Health Association on
non-ionizing
radiation from 1991 we read "Many of biological effects observed in
animals
exposed to ELF fields appear to be associated, either directly or
indirectly,
with the nervous system* </i>(2) <br>
</font></blockquote>
</div>
<div align="justify"><font face="Garamond">Può
altrettanto definire
l'attività
e le competenze della redazione di questo sito e in particolare di
questa
pagina questo <i>Statement</i> - lasciato nella
stesura
originale
in inglese - scritto da un collega espertissimo nel campo degli abusi e
della dissociazione, </font></div>
<blockquote><font face="Garamond"><b style="color: rgb(204, 0, 0);">Statement
by
Steve Oglevie</b>: <br>
</font>
<div align="justify"><font face="Garamond"><i>I
am not a
ritual abuse
survivor, but I am
privileged to work with those who are survivors. Most of these have <b><font color="#d70023">grown
up in multi-generational cult families</font></b> so their
abuse and
programming
beganvery early in childhood. They have given me a very precious gift.
They have shown me how the mind-control system works so I can now
explain
to the survivor how they can be removed. These mind-control systems are
implanted in the mind while undergoing very systematic
physical,medical,
spiritual, and psychological abuse.I have discovered that there are
four
basic elements to ritual abuse that need to beaddressed inorder for
recovery
to take place:</i> </font><br>
</div>
<font face="Garamond"> <i>1) Memories
of Trauma,</i> <br>
<i>2) Dissociation/
Multiplicity,</i> <br>
<i>3) Teachingand Training and</i> <br>
<i>4) Conditioning.</i> <br>
<b><i><font color="#d70023">5)
...
mind-control
programming</font></i></b> <br>
<i>These can all be resolved at the
cognitive
level but, <b><font color="#d70023">all four can be
controlled by a
fifth
element, that of mind-control programming</font></b> of
which the
client
may or<b><font color="#d70023">may not be aware</font></b><font size="-1">.</font></i></font> </blockquote>
<font face="Garamond">Karl Lehman, MD, <b><a href="http://truthbeknown2000.tripod.com/Truthbeknown2000/id15.html">Ellen
P. Lacter, Ph.D.</a></b>: <b style="color: rgb(204, 0, 0);"><i>Guidelines
to
Differential
Diagnosis between Paranoid Schizophrenia and Ritual Abuse/Mind Control
Traumatic Stress</i></b>. <br>
<b><a href="http://peacepink.ning.com/forum/topics/difference-between">Carole
Smith</a></b> :<b><i><a href="http://www.globalresearch.ca/on-the-need-for-new-criteria-of-diagnosis-of-psychosis-in-the-light-of-mind-invasive-technology/7123">On
the need for new criteria of diagnosis of psychosis in the light of
mind
invasive technology</a><br>
</i></b><b> <a href="http://mpbooks.artefact.org.nz/">Multiple
Personality and Dissociation Book List</a></b><br>
<b> </b><b><i><a href="http://www.angelfire.com/va/creeper/l">Healing
Place for Survivors of Childhood Sexual Abuse, Ritual Abuse and</a></i></b>
<b><i><a href="http://www.angelfire.com/va/creeper/l">Trauma</a></i></b>
<br>
Vedi anche - con <b>cautela e
beneficio di inventario</b> / disclaimer:<span style="font-weight: bold;"> get caution</span>:<br>
<b><i><a href="http://www.economist.com/opinion/displayStory.cfm?story_id=1143583">Neuroscience
THE
FUTURE OF MIND-CONTROL</a></i></b> (from <b><i><a href="http://www.economist.com/">The
Economist</a></i></b> print edition May 23rd 2002).<br>
<b class="sans" style="font-style: italic;">The Breaking
of Bodies and
Minds: Torture, Psychiatric Abuse, and the Health Professions</b></a>
by Eric
Stover, Elena
O. Nightingale (Editor) <br>
<i><a href="http://www.dreichel.com/Pseudoidentity.htm"><b>Pseudo-Identity
and the Treatment of Personality Change in Victims of Captivity and
Cult</b></a></i><br>
<i> Part
1 of 3 by </i></font><b><a href="http://www.csj.org/announce/annoucement_archives/2000/westdeath.htm">Louis
Jolyon West</a></b>, <b><a href="http://www.csj.org/infoserv_profile/martin_paul.htm">Paul
R. Martin</a></b><br>
<i><b>Opening
Skinner's Box: Great Psychological Experiments of the Twentieth Century
by</b></i><br>
<b>Lauren
Slater</b><br>
<b><a href="http://scholar.google.it/scholar?q=Dissociation+of+a+Personality&hl=it&as_sdt=0&as_vis=1&oi=scholart"><i>The
Dissociation of a Personality</i> (1906)</a></b> <font face="Garamond" size="-1"> by</font><font face="Garamond"> <b><a href="http://www.ncbi.nlm.nih.gov/pubmed/1430597">Prince,
Morton</a> </b>Edited
by <b><a href="http://www.brynmawr.edu/psychology/rwozniak/">Robert
H.
Wozniak</a></b>.<br>
<a href="http://www.zoominfo.com/#%21search/profile/person?personId=23078763&targetid=profile" style="font-style: italic; font-weight: bold;">Classics
in Psychology - A
pioneer case study
and theoretical analysis of the phenomena of multiple
personality</a><span style="font-style: italic; font-weight: bold;">. </span><a href="http://www.treccani.it/enciclopedia/prince_res-b28b6512-86d8-11dc-9a1b-0016357eee51/" style="font-style: italic; font-weight: bold;">Prince</a>
demonstrated
that multiple personalities could
be <b>artificially
induced</b> in the trance state, applied and developed the
concept of
dissociation
in the explanation of these phenomena, and presented a classic
description
of relevant therapy.</font>
<center> <font face="Garamond"><b><i><a href="http://www.dreichel.com/Pseudoidentity.htm">Pseudo-Identity
and the Treatment of Personality Change in Victims of Captivity and
Cult</a></i></b> (Part 1 of 3 From <b><i>Dissociation:
Clinical and Theoretical Perspectives</i></b>.
Lynn, SJ and Rhue
JW,
eds. ©1994
The <i><b><a href="http://www.guilford.com/cgi-bin/cartscript.cgi?page=home.html&cart_id=">Guilford
Press</a></b></i>. Reprinted with permission. <b>Louis
Jolyon West</b> <b><a href="http://www.csj.org/infoserv_profile/martin_paul.htm">Paul
R. Martin</a><br>
<br>
</b></font>
<div style="text-align: center;"><a style="font-weight: bold;" href="http://www.sidran.org/"><font face="Garamond">Sidran Institute</font></a><br>
</div>
<div style="text-align: center;"><a href="http://www.sidran.org/resources/healing-trauma-recommended-titles/"><font face="Garamond"><span style="font-weight: bold;">We help people
understand, manage, and treat trauma and dissociation: healing
reccommenìded titl</span></font></a></div>
</center>
<b><font face="Garamond"><font face="Garamond"><i><b><i><br>
</i></b></i></font></font></b></td>
</tr>
</tbody>
</table>
</td>
</tr>
</tbody>
</table>
<table style="width: 650px; font-family: garamond; text-align: left; margin-left: auto; margin-right: auto;" border="1">
<tbody>
<tr style="font-family: garamond;">
<td>
<table style="width: 650px; background-color: rgb(255, 249, 230); text-align: left; margin-left: auto; margin-right: auto;" border="1">
<tbody>
<tr bgcolor="#fffdfd">
<td style="width: 650px;">
<h3><br>
</h3>
<h3><a name="citazioni"></a><font size="-0">CITAZIONI</font></h3>
</td>
</tr>
<tr bgcolor="#fffdfd">
<td style="width: 650px;" width="650">
<center><a href="/gob.htm"><img src="logo-gob.gif" style="border: 0px solid ; height: 70px; width: 49px;" alt="" align="middle" border="0" height="70" vspace="10" width="49"></a><b><font face="Herculanum" size="+1"><a href="/gob.htm">Cos'ho
in comune io con gli schiavi?</a></font> </b><br>
<font face="Garamond"><b><font size="+1"><a href="http://www.thrivingandhome.com/mutamenti.htm">Cosa
ho in comune?</a></font></b> <br>
<b><font size="+1">Soprattutto come
medico ho in
comune la possibilità di favorirne la liberazione</font></b></font> </center>
<font face="Garamond"><img src="Goya.jpg" style="border: 0px solid ; height: 353px; width: 241px;" alt="proprietà privata" align="left" border="0" height="353" vspace="10" width="241"></a><b><i>Il
sonno della </i></b> </font><br>
<font face="Garamond">scrive <b><a href="http://www.unilibro.it/find_buy/product.asp?sku=1953976&/idaff-WMUFNR878421">Cervantes</a></b>
in <b><i><a href="http://www.unilibro.it/find_buy/product.asp?sku=1870503&/idaff-WMUFNR878421">Don
Chisciotte</a></i></b> e Goya ne riattualizza
significati più
generali.</font><br>
- <span style="font-family: apple chancery;">Sueños
y Discursos de
verdades descubridoras
de </span><b style="font-family: apple chancery;"><a href="http://www.thrivingandhome.com/memoria.htm#sintomi%20e%20%22mostri%22">abusos,
vicios y engaños</a></b><span style="font-family: apple chancery;"> en
todos los oficos y
estados
del
mundo</span> - <font face="Garamond">si legge nel
titolo esteso autografo sul disegno
preparatorio. </font>
<blockquote>
<div align="justify"> </div>
<font face="Garamond"><i>La
figura china
è avvolta da
otto gufi, innumerevoli pipistrelli, la<font color="#d70023"><b> </b></font><b><font color="#d70023">lince</font></b>
e un gatto nero che mimetizzato nell'oscurità rappresenta la
pigrizia
e la lussuria. <b><font color="#d70023">Solo la
lince ai piedi
dell'artista
rappresenta la positività</font></b>: Goya ci avverte di
rimanere
all'erta così come è la lince, a causa dell'eccellente
vista
capace di penetrare nell'oscurità, perché durante il
sonno
non possiamo difenderci dai vizi, rappresentati dagli animali che gli
stanno
intorno... </i></font>(Citazione tratta dal catalogo 119
Galleria
Salamon
pag. 43).<br>
</blockquote>
<div align="justify">Da
ossevare l'animalità lungimirante della lince espressa nello
sguardo
- attento, perplesso, preoccupato - e la falsa intelligenza che trapela
dagli occhi - furbetti o falsamente ingenui - dei gufi, o da quelli -
male<font face="Garamond">voli
- del gatto nero seminascosto dietro il dormiente. <b>El sueño
de la razon
produce monstruos.... </b><b><a href="http://www.ibiblio.org/wm/paint/auth/goya/">Francisco
de Goya y Lucientes</a> <i>Caprichos</i>
43 1797</a> </b><b><a href="http://www.museodelprado.es/">(El
Prado Madrid)</a></b></font><br>
</div>
<div style="text-align: left;">Il commento del
Maestro,
conservato al Museo del
Prado di Madrid, riporta, a proposito di questa tavola: <br>
</div>
<div style="margin-left: 40px;"><i> </i><span style="font-style: italic; font-family: apple chancery;">La
fantasia abbandonata
dalla ragione
produce mostri impossibili: con essa è madre delle arti e
origine
delle sue meraviglie.</span><br>
<i style="font-style: italic; font-family: apple chancery;">
</i><b style="font-style: italic; font-family: apple chancery;">43.
El
sueño de
la
razón produce monstruos. </b><span style="font-style: italic; font-family: apple chancery;">En
la parte
anterior de
una mesa situada a la izquierda del grabado se lee el titulo del
capricho.</span><br style="font-style: italic; font-family: apple chancery;">
<span style="font-style: italic; font-family: apple chancery;">A.<span style="font-weight: bold;"> La
fantasía,
abandonada de la razón, produce monstruos y unida con ella es
madre de las artes</span>. </span><br style="font-style: italic; font-family: apple chancery;">
<span style="font-style: italic; font-family: apple chancery;">P. <span style="font-weight: bold;">La fantasía,
abandonada de la razón,</span> </span><span style="font-weight: bold; font-style: italic; font-family: apple chancery;">produce
monstruos
imposibles</span><span style="font-style: italic; font-family: apple chancery;">; <span style="font-weight: bold;">unida con ella es madre de
las artes y origen de las maravillas</span>. </span><br style="font-style: italic; font-family: apple chancery;">
<span style="font-style: italic; font-family: apple chancery;">BN.
Portada
para esta
obra: </span><span style="font-weight: bold; color: rgb(204, 0, 0); font-style: italic; font-family: apple chancery;">cuando
los hombres no oyen el grito de la
razón, todo se vuelven visiones.</span><br style="font-style: italic; font-family: apple chancery;">
<b style="font-style: italic; font-family: apple chancery;"><a href="http://www.thrivingandhome.com/memory.htm#symptoms%20and%20%22monsters%0A%20%0Astyle=" font-family="" apple="" chancery="">Fantasy <span style="font-weight: bold; color: rgb(204, 0, 0);">DISOWNED</span></a><span style="font-family: apple chancery;">
by reason breeds impossible </span><span style="color: rgb(204, 0, 0); font-weight: bold; font-family: apple chancery;">monsters</span><span style="font-family: apple chancery;">?
When instead together they foster Arts and source of their </span><a href="http://www.thrivingandhome.com/infan_engl.htm#sociological%20problem" style="font-family: apple chancery;">portents</a><span style="font-family: apple chancery;">! </span>)</b><br style="font-style: italic;">
</div>
<center style="font-style: italic;"><img src="eye_bar.gif" style="border: 0px solid ; height: 11px; width: 560px;" title="" alt="" vspace="5"></center>
<font face="Garamond"><span style="font-style: italic; font-weight: bold;">El sueño
de la razon produce
monstruos.... </span>as written in the Cervantes' <b><i><a href="http://www.unilibro.it/find_buy/product.asp?sku=1870503&http://www.unilibro.it/find_buy/product.asp?sku=1953976&/idaff=WMUFNR878421">Don
Qijote</a></i></b> and again by Francisco de Goya y
Lucientes in his
more
famed table - <span style="font-weight: bold;">43</span>
- of the <span style="font-weight: bold; font-style: italic;">Caprichos
43 1797
(El
Prado
Madrid)</span> <br>
</font>
<div style="text-align: center;"><font face="Garamond"><span style="font-weight: bold; font-style: italic;">Sueños
y
Discursos de verdades descubridoras de
abusos,
vicios y engaños en todos los oficos y estados del mundo</span>:</font><br>
<font face="Garamond">this
quote comes from the full autographical title in this
preparatory
drawing. </font></div>
<blockquote><font face="Garamond"><i>The
bending figure is
surrounded by eight owls, numberless bats, a <b><font color="#d70023">lynx</font></b>
and a camouflaged black cat symbolizing idleness and lust. <b><font color="#d70023">Only
the lynx at the feet of the artist stand for positiveness</font></b>:
Goya
warns us to be on the look-out like the lynx, whose excellent
sight
sees through the darkness, for when asleep we cannot defend ourselves
from
vices symbolized by the surrounding animals...</i></font>
(See <span style="font-weight: bold; font-style: italic;">119
Galleria
Salamon Catalogue,
p. 43.).</span> <br>
</blockquote>
<center> Remarkable is the far-sighted animality of
the
lynx
expressed in her attentive, perplexed, preoccupied glance and
the
false intelligence that transpires from the falsely sincere