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  29. come artista</title>
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  65.       <span xmlns:dct="http://purl.org/dc/terms/" property="dct:title">Artist/Designer
  66. Andrzej (Andrew) Suda's case</span> di<a xmlns:cc="http://creativecommons.org/ns#" href="/case-suda.htm" property="cc:attributionName" rel="cc:attributionURL">Andrzej Suda e
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  70. Based on a work at <a xmlns:dct="http://purl.org/dc/terms/" href="http://www.aisjca.mft.org/suda.correct.pdf" rel="dct:source">http://www.aisjca.mft.org/suda.correct.pdf</a>.<br>
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  72. possono essere disponibili presso <a xmlns:cc="http://creativecommons.org/ns#" href="/Pdf-Suda_enter.htm" rel="cc:morePermissions">/Pdf-Suda_enter.htm</a>.<br>
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  76.       <h1>Artist
  77. Andrzej
  78. (Andrew) Suda:
  79. Presentation / <br>
  80.       </h1>
  81.       <h1>Presentazione
  82. come
  83. artista </h1>
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  87.     <tr>
  88.       <td align="center"> <span style="font-family: verdana;"><br>
  89. 27 settembre 2016 / September 27
  90. 2016<br>
  91.       <br>
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  125.       <a style="font-weight: bold; font-style: italic;" href="/suda.correct.pdf" onclick="javascript:ssxl('LINK=Caso%20Suda:%20file%20originale');">Caso
  126. Suda: file originale</a><span style="font-weight: bold; font-style: italic;">&nbsp;</span> <span style="font-weight: bold; font-style: italic;"></span><br>
  127.       <a style="font-weight: bold; font-style: italic;" href="Suda-recovered-original-documents.htm">Suda: original
  128. recovered documents</a><br>
  129.       <a style="font-weight: bold; font-style: italic;" href="Pdf-Suda_enter.htm">Andrzej Suda's DOCUMENTATION / DOCUMENTAZIONE</a><br>
  130.       <br>
  131.       <font face="Garamond">L'intero
  132. file era anche
  133. stato presentato
  134. in <span style="font-weight: bold;">Indymedia </span>- sito ora non
  135. più attivo, ma una
  136. sintesi efficace si trova</font> nel <i><b><a href="http://www.truedemocracy.net/hj36/10b.html">The Journal of
  137. History</a></b></i><font face="Garamond"> / The whole page
  138. was on <span style="font-weight: bold;">Indymedia - </span>a site at
  139. present no more matching <br>
  140. &nbsp;<span style="font-weight: bold;">but
  141. now <i><b><a href="http://www.truedemocracy.net/hj36/10b.html">The
  142. Journal of
  143. History</a> </b></i>endorses a good summary.</span></font><br>
  144. &nbsp;<a style="font-weight: bold; font-style: italic;" href="http://truedemocracy.net/hj36/10b.html">The Journal of History
  145. &#8195;Fall 2011 &#8195; TABLE OF CONTENTS<br>
  146. Targeted Individual: Industrial Designer Flees for Life</a><br>
  147.       <br>
  148. Vedi in polacco / look in Polish other sites:<br>
  149.       <a style="font-weight: bold; font-style: italic;" href="http://artmuseum.pl/en/archiwum/archiwum-kowalni?q=andrzej+suda">KOWALNIA
  150. ARCHIVE CHRONOLOGICALLY (ACADEMIC YEARS)<br>
  151. OBJECT TYPE THEMATICALLY</a><br>
  152.       <span style="font-weight: normal;"><span style="font-weight: bold; font-style: italic; font-family: garamond;"></span></span><span style="font-family: Garamond;"><font face="Garamond"><b><i><a href="http://wolna-polska.pl/wiadomosci/sprawa-andrzeja-sudy-ciag-dalszy-2013-06">http://wolna-polska.pl/wiadomosci/sprawa-andrzeja-sudy-ciag-dalszy-2013-06</a><br>
  153.       <a href="https://radtrap.files.wordpress.com/2016/06/andrzej-sudas-case-copy.pdf">https://radtrap.files.wordpress.com/2016/06/andrzej-sudas-case-copy.pdf</a><br>
  154.       <a href="http://niezaleznemediapodlasia.pl/wp-content/uploads/2016/06/andrzej-sudas-case-copy.pdf">http://niezaleznemediapodlasia.pl/wp-content/uploads/2016/06/andrzej-sudas-case-copy.pdf</a></i></b></font></span><br>
  155.       <big><a style="font-weight: bold; font-style: italic;" href="https://radtrap.wordpress.com/2013/06/11/sprawa-sudy-dokumentacja/#more-10996">Sprawa
  156. Sudy &#8211; Dokumentacja</a></big><br>
  157.       <br>
  158.       <br>
  159.       </center>
  160.       <div style="text-align: justify;">
  161.       <div align="center"><i><img alt="Andrzej Suda portrait" src="andrzej.jpg" height="600" vspace="10" width="485"></i><br>
  162.       </div>
  163.       <br>
  164.       <img alt="AK-soldiers_Parasol_Regiment_Warsaw_Uprising_1944" src="136px-AK-soldiers_Parasol_Regiment_Warsaw_Uprising_1944.jpg" align="left" height="159" width="136">Decyzj&#281; o rozbiciu obozu w
  165. Rembertowie&nbsp; podj&#261;&#322; kpt. Walenty Suda ps."M&#322;ot"<br>
  166.       <i>Infonurt2 : w&#322;a&#347;nie sko&#324;czy&#322;em z Andrzejem Sud&#261; ( po lewej)
  167. rozmow&#281;. Rzeczywisto&#347;&#263; dla m&#322;odego emigranta okaza&#322;a si&#281; bardziej
  168. wstrz&#261;saj&#261;ca ni&#380; niejeden krymina&#322; szpiegowski. Jak mówi: spa&#322;em
  169. z
  170. agentk&#261;..( Uwaga :dodano dokymenty i otwarto zaczniki)</i><br>
  171.       <i>CO&#346; SIE KR&#280;CI:&nbsp; http://www.youtube.com/watch?v=Hk-3MU-rc0M</i><br>
  172.       <i>Intencj&#261; tej publikacji jest ostrze&#380;enie dla masowej dzi&#347;
  173. emigracji z kraju na Zachód jak i stwierdzenie &#380;e nie ma i nie
  174. by&#322;o
  175. podzia&#322;u na Wschód i Zachód. Potwierdza to w swym wst&#281;pie
  176. do pracy
  177. naukowej &#8222; Panerologia polityczna&#8221; ( wyd. OSTOJA) prof. Andrzej
  178. &#321;obaczewski jak i Wolf w Wojnie Wolfa , szef s&#322;ynnej STASSI &#8211; tajnej
  179. policji NRD ( Niemiec Wschodnich) . Jest to ogólno&#347;wiatowa
  180. organizacja
  181. terrorystyczna która dawniej pod pretekstem Komuny i &#379;elaznej
  182. Kurtyny a
  183. obecnie Globalizmu i tzw. &#8222;demokracji&#8221; terroryzuje i morduje ludzi
  184. milionami. Powszechnie za&#347; wciskany bombami ludziom system demokracji
  185. doprowadza do w&#322;adzy psychopatów, którzy prowadz&#261; ci&#261;g&#322;&#261;
  186. wojn&#281; z
  187. terrorem który sami tworz&#261; ( 9/11, Londyn, Madryt, Wiosna
  188. Arabska,
  189. Libia , Syria , zabicie ambasadora USA w Libii- i w drodze Iran- to
  190. dzie&#322;a tej samej fa&#322;szywej flagi!!)</i><br>
  191.       <div align="center"><i><b><img alt="Walenty_Suda's_grave,_Piaseczno" src="240px-Walenty_Suda%27s_grave,_Piaseczno.jpg" align="middle" height="160" hspace="10" width="240"></b>grób
  192. Walentego Sudy</i></div>
  193.       <span style="font-family: verdana;"><br>
  194.       </span>
  195.       <hr size="2" width="100%"><span style="font-family: verdana;"><br>
  196.       <a href="/case-suda.htm" style="font-family: garamond;"><span style="font-weight: bold;">Andrzej
  197. Grzegorz Suda</span></a><span style="font-family: garamond;">, born 4th
  198. of January 1959 in </span><a href="http://maps.google.it/maps?client=safari&amp;rls=en&amp;q=Minsk+Mazowiecki&amp;oe=UTF-8&amp;redir_esc=&amp;um=1&amp;ie=UTF-8&amp;hq=&amp;hnear=Mi%3Fsk+Mazowiecki,+Polonia&amp;gl=it&amp;ei=RduOTOPfHsOAOLrTjeYM&amp;sa=X&amp;oi=geocode_result&amp;ct=title&amp;resnum=1&amp;ved=0CBkQ8gEwAA" style="font-weight: bold; font-family: garamond;">Minsk Mazowiecki</a><span style="font-family: garamond;">, Poland. Currently
  199. resides in Switzerland. </span></span><span style="font-family: verdana;"><span style="font-family: garamond;">He
  200. graduated and as soon as it was
  201. possible immigrated to the U.S.A.
  202. There, after a few months of work as a painter, he opened his own
  203. business concentrating on painting and decorating churches, hotels and
  204. villas.</span></span> He graduated and as soon as it was
  205. possible immigrated to the U.S.A.
  206. There, after a few months ofwork as a painter, he opened his own
  207. business concentrating on painting and decorating churches, hotels and
  208. villas. The dream of normal life did not last
  209. long: look at a very RECOMMANDED <a style="font-weight: bold;" href="suda.correct.pdf">SYNOPSIS</a>
  210. - <big style="font-weight: bold; font-style: italic;"><a href="/suda.correct.pdf" onclick="javascript:ssxl('LINK=Caso%20Suda:%20file%20originale');">Caso
  211. Suda: file originale</a></big>
  212. - writt<span style="font-family: verdana;"><span style="font-family: garamond;">en in his own words </span></span>of
  213. what happened later <span style="font-family: verdana;"><span style="font-family: garamond;">and to read the
  214. whole</span></span><font face="Garamond"> complete story and its
  215. up-dating references go to<br>
  216.       </font>
  217.       <div style="text-align: center;"><font face="Garamond"><font face="Garamond"><b><a href="http://en.metapedia.org/wiki/User:Andrzej"><span style="font-weight: bold;">AndrzejSuda: Story of Andrzej
  218. Grzegorz Suda</span></a><br>
  219.       </b></font></font>
  220.       <hr size="2" width="100%"><font face="Garamond"><font face="Garamond"><b><br>
  221.       </b></font></font>
  222.       <div style="text-align: center;"><font face="Garamond"><font face="Garamond"><font face="Garamond"><span style="font-weight: bold;">Recenti
  223. sviluppi e
  224. pericoli del caso /
  225. Recent happening<br>
  226.       <br>
  227.       </span></font> </font></font></div>
  228.       <font face="Garamond"> <font face="Garamond"> </font> </font>
  229.       <div style="text-align: justify;"><font face="Garamond"><font face="Garamond"><b><font face="Garamond">: </font></b><font face="Garamond">:
  230. Winterthur, 24th March, 2010</font> </font></font></div>
  231.       <font face="Garamond"> <font face="Garamond"> </font> </font>
  232.       <div style="margin-left: 40px;"><font face="Garamond"><font face="Garamond"> </font> </font>
  233.       <div style="text-align: justify;"><font face="Garamond"><font face="Garamond"><font face="Garamond"><span style="font-style: italic;">Two
  234. weeks ago
  235. something very suspicious
  236. happened to me. Always I come home from work on the same commuter
  237. train&nbsp; (S-12 from Baden to Winterthur) at the same time (17:15),
  238. so it is easy to find me there. I enter the train relatively early (3rd
  239. station from the start) and most of passengers come in later at other
  240. stations. On the seat directly in front of me (and facing me) set one
  241. young woman. 10 or 15 minutes later, tired after long day of work, I
  242. begun to sleep. Suddenly I felt a quick, very strong impact into my
  243. solar plexus. It was like somebody poked me with a finger (or a
  244. pencil). It was too strong and painful to be a joke. I opened my eyes
  245. and saw the woman quickly putting away into her purse an <span style="font-weight: bold; color: rgb(204, 0, 0);">electronic device
  246. looking like a mobile phone (or rather larger like a Blackberry)</span>.
  247. What could I do? I am sure it wasn't a physical attack &#8211; the train was
  248. full of people, some standing perhaps 20-30 cm from us. She would not
  249. dare to touch me. Half an hour later, at home, I checked my skin in
  250. this area. There was no bruise, not even pink skin. Clearly nobody
  251. touched me physically. It was some kind of energy sent into my body,
  252. but for what reason? </span></font><br style="font-style: italic;">
  253.       <font face="Garamond"><span style="font-style: italic;">That
  254. evening I had blood in my stool. This does not happen to me at all &#8211; it
  255. must be connected to the attack. My intuition tells me that somebody
  256. tried to kill me. Perhaps the burst of energy can cause veins to break.
  257. Perhaps she was aiming at the heart and because of the train moving and
  258. shaking she missed. </span></font><br style="font-style: italic;">
  259.       <font face="Garamond"><span style="font-style: italic;">Please
  260. let me know if you have any information about aforementioned device
  261. (weapon). Perhaps I am not only one who had this type of &#8220;accident&#8221;.
  262. Any feedback, any bit of information would be greatly appreciated. Feel
  263. free to share my experience with everybody. <span style="font-weight: bold; color: rgb(204, 0, 0);">More people know,
  264. safer I am</span>. Also, more people know- lower probability that the
  265. &#8220;Blackberry&#8221; will be used again.</span></font><br>
  266.       <font face="Garamond"><span style="font-style: italic;"> </span></font></font></font></div>
  267.       <font face="Garamond"> <font face="Garamond"> </font></font></div>
  268.       <font face="Garamond"><br>
  269.       </font>
  270.       <div align="left"><font face="Garamond">&nbsp;22 novembre 2011
  271. 00.21</font><br>
  272.       <font face="Garamond"> </font></div>
  273.       <div align="justify">
  274.       <blockquote><font face="Garamond"><i>Sometimes I am forced to
  275. share with other people a few details of my life. This is my version of
  276. &#8221;preemptive strike&#8221; - if I do it before my perpetrators act the way I
  277. suspected, then I remain safe.</i></font><br>
  278.         <font face="Garamond"><i>A couple of years ago somebody asked
  279. me if I was not afraid to look &#8220;like a paranoid idiot&#8221; in other peoples
  280. eyes. My answer was: &#8220;the ONLY way to prove that I was right and &#8220;they&#8221;
  281. were really planning to kill me is.....to get killed. I am not
  282. interested, thank you!&#8221; </i></font><br>
  283.         <font face="Garamond"><i>So, the recent story goes like this.
  284. There is a guy in my social circle. He is of Nigerian origin but
  285. already with the Swiss citizenship and well integrated. His name and
  286. address:</i></font><br>
  287.         <font face="Garamond"><i>xxx xxx </i></font><br>
  288.         <font face="Garamond"><i>xxx x, xxx&nbsp; xxxx</i></font><br>
  289.         <font face="Garamond"><i>tel: xxx, mobile: xxx</i></font><br>
  290.         <font face="Garamond"><i>I never trusted him because of his
  291. close relations with many strange Eastern Europeans (not good sign).</i></font><br>
  292.         <font face="Garamond"><i>Last Friday he came for a visit
  293. (&#8220;invited himself&#8221;) and suggested we could drink some Polish Vodka</i></font><br>
  294.         <font face="Garamond"><i>he knew I had. While I was in the
  295. other room changing CD, I overheard him acting very fast during my
  296. absence. I do not have anything to steal there, so I wasn't worry but
  297. the question remains....</i></font><br>
  298.         <font face="Garamond"><i>After he left I realized that the
  299. empty Vodka bottle also disappeared. What can be of a value there?</i></font><br>
  300.         <font face="Garamond"><i>It took me 2 days to come to the
  301. following conclusion. This particular bottle has my fingerprints
  302. because only I (the host) was pouring from it. The commotion he caused
  303. was perhaps because he was stealing other little items with my
  304. fingerprints or was doing the opposite &#8211; &#8220;planting&#8221; something in my
  305. apartment. So far I did not find anything but it is long way to go....</i></font><br>
  306.         <font face="Garamond"><i>Of course I do not want to be set-up
  307. with something and get arrested. Perps do it all the time to people
  308. like me. This is the reason I wrote it. If something &#8220;funny&#8221; happens &#8211;
  309. you know who was involved.In that moment you should make the whole
  310. world know how Perps operate, even in Switzerland.</i></font><br>
  311.       </blockquote>
  312.       </div>
  313.       <font face="Garamond"><font face="Garamond"><b> <br>
  314.       </b></font></font></div>
  315.       <font face="Garamond"> </font></div>
  316.       <font face="Garamond"> </font></td>
  317.     </tr>
  318.     <tr>
  319.       <td style="vertical-align: top;"><a href="libro.htm"><img src="frontFINAL.jpg" title="" alt="more puzzling and frightening adaptation of the &quot;Slumber of reason&quot; by Goya" style="border: 0px solid ; width: 177px; height: 236px;" align="left"></a><br>
  320.       <div style="text-align: justify;"><font face="Garamond">Questa <span style="font-weight: bold; color: rgb(204, 0, 0);">rielaborazione</span>
  321. del famoso <span style="font-style: italic; font-weight: bold;">Sonno della
  322. ragione</span></a>
  323. di <span style="font-weight: bold;">Goya</span></a>
  324. -&nbsp; <span style="font-weight: bold;">ufficialmente
  325. copyright</span> - è resa molto
  326. più
  327. inquietante dell'originale per essere
  328. utilizzata come <a href="/Copertina.jpg" style="font-weight: bold;">copertina
  329. del libro</a> e spiegata
  330. dal <a href="http://truedemocracy.net/hj36/10b.html"><span style="font-weight: bold;">Disegnatore </span></a><b><a href="/case-suda.htm">Andrzej
  331. (Andrew) Suda</a></b>/ This powerful,
  332. more puzzling <span style="font-weight: bold; color: rgb(204, 0, 0);">creative
  333. modification</span> of the <b><a href="http://www.pittart.com/goya.htm">Goya</a></b>'s
  334.       <span style="font-weight: bold; font-style: italic;"><a href="http://www.metmuseum.org/toah/works-of-art/18.64.43">Sleep
  335. of reason</a> </span>- marked by the <span style="font-weight: bold;">official
  336. Copyright</span>
  337. - here is used as <a href="/libro.htm" style="font-weight: bold;">book
  338. cover's
  339. image</a>,and explained by the <a href="http://andrzejsuda.blogspot.com/"><span style="font-weight: bold;">Designer</span></a>: <b><a href="/case-suda.htm">Andrzej
  340. (Andrew) Suda</a>:</b> </font><br>
  341.       <font face="Garamond"> <i>should look just like many of the
  342. events described by the victims: <b>they&nbsp; exist</b>,
  343. are
  344. bothersome,
  345. and we don&#8217;t know exactly WHY they&nbsp; are there <b>but
  346. they are
  347. there</b>&#8230;</i><i>come molti dei fatti descritti dalle
  348. vittime: <b>essi
  349. esistono</b>, turbano e noi non riusciamo a conoscere esattamente
  350. il&nbsp;
  351. PERCHE'
  352. ci siano, <b>ma ci sono</b>....]</i><span style="font-family: garamond;"><a href="http://andrzejsuda.blogspot.com/"><span style="font-weight: bold; font-style: italic;"> About the
  353. Book</span></a>: <span style="font-style: italic;">This
  354. book not only documents
  355. the case of Andrzej Suda, it is also
  356. filled with documentation from the worlds most influential documented
  357. cases of psychological abuse, electronic harassment, organized stalking
  358. and mind control.</span></span><span style="font-family: garamond; font-style: italic;"> Some
  359. cases include <a style="font-weight: bold;" href="/mindcontrol.htm">Rauni
  360. Leena Kilde MD</a>., <a href="/munzert/mikrowellenterror.htm"><span style="font-weight: bold;">Dr. Reinhard Munzert</span></a>, <a style="font-weight: bold;" href="/Kathleen.htm">Kathy
  361. Sullivan</a>, <a href="/LarsonReport.htm"><span style="font-weight: bold;">David Larson</span></a>
  362. and many others...</span><span style="font-family: garamond; font-style: italic;"> Please
  363. support the
  364. truth with the purchase of our book. This will document many
  365. technologies and mind control weapons that have
  366. been kept hidden from the mainstream public. Over 600 pages of action
  367. packed <span style="font-weight: bold;">TRUTH</span>!</span></font>
  368. [<br>
  369.       </div>
  370.       <div style="text-align: center;"><font style="font-family: garamond;"><img style="width: 650px; height: 6px;" alt="" src="line1.gif" vspace="10"><br>
  371.       </font><a href="http://www.cortinalibri.it/Edizioni.asp"><span style="font-weight: bold; font-style: italic;">UP-TO-DATE
  372. DOSSIERS</span> di <span style="font-style: italic; font-weight: bold;">It's
  373. Abuse
  374. NOT Science fiction</span> </a><span style="font-weight: bold; font-style: italic;"><a href="http://www.cortinalibri.it/Edizioni.asp">= Gli Abusi
  375. mentali, fisici e tecnologici NON sono Fantascienza<br>
  376.       </a> <br>
  377.       </span>
  378.       <div style="text-align: left;"><a href="libro.htm"><font style="font-family: garamond;"><img style="border: 0px solid ; width: 178px; height: 257px; float: left;" alt="Up-to-date" src="update_piccolo.jpg" align="left" hspace="5" vspace="10"></font></a><font style="font-family: garamond;">Dalla
  379. presentazione del libro <span style="font-style: italic; font-weight: bold;">It's Abuse
  380. NOT Science
  381. fiction</span>, e dalla data di pubblicazione - 14 luglio 2005 -
  382. molto
  383. è cambiato e molti
  384. DOCUMENTI sono stati sia sostituiti che aggiunti. In attesa di
  385. una completa nuova
  386. edizione
  387. del volume principale ne viene
  388. per ora edito un SUPPLEMENTO INTEGRATIVO per diffondere
  389. IMPORTANTI <a>UP-TO-DATE
  390. DOSSIERS</a> in
  391. una
  392. NUOVA PUBBLICAZIONE che si costituisce come un <span style="font-weight: bold; color: rgb(204, 0, 0);">autonomo</span>
  393. VOLUME.<br>
  394.       <font style="font-family: garamond;">*************************</font><br>
  395.       <font style="font-family: garamond;">The book
  396. previously
  397. published at present needs to be modified.</font></font><br>
  398.       <font style="font-family: garamond;"><font style="font-family: garamond;"><span style="font-weight: bold; font-style: italic;">It's
  399. Abuse NOT Science fiction</span><span style="font-style: italic;"> </span>
  400. published on July 14 2005 shortly became OUT OF DATE and so required to
  401. present also the consequent novelties coming
  402.  
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